Showing posts with label Unsung Heroes of the Week. Show all posts
Showing posts with label Unsung Heroes of the Week. Show all posts

Thursday, November 2, 2017

VSA Texas Unsung Hero of the Week: Victor Gallo

The VSA Texas family learned of the passing of a good friend and creative soul this week. We were saddened to hear that Victor Gallo is no longer with us. He was a wonderful young man who has been involved with our programs since 2011. Victor was a student in our first New Media Arts Summer Camp where he learned about arts and technology – two things Victor was very interested in.

Victor and the NMA Crew doing a photo shoot with a cool old car

A volunteer, Victor, and Michael wearing their Apple T-Shirts after a visit to the Apple Store

Victor returned in Summer 2012 to our Music Camp. This time he was a volunteer helping others learn techniques in digital recording and sound. The three photos below show Victor working with Jourdan on recording a song during that camp:




Victor loved music! It was something he was passionate about. He created eerie and beautiful music on his keyboard, some of which you can hear on his website here. He also loved to dance and once proposed hosting a dance party at VSA Texas. He was a regular at our original Open Mic at Access Gallery in 2012 and often showed us his short films when it was his turn. He even debuted his short film “No More Nukes” at our Disability From Real to Reel Film Festival in 2012. Victor was always fun to be around. We will miss his presence greatly!

Victor playing a kettle drum

Victor drumming while Krisha plays harmonica at the Open Mic

Friday, October 27, 2017

VSA Texas Unsung Hero of the Week: Silva Laukkanen

Photo of Silva

Today’s unsung hero is a woman who is very dear to my heart. Silva Laukkanen arrived in Austin in 2009 and immediately made her home in the Body Shift community. She has been a tireless advocate for inclusive community dance ever since. As she prepares to leave Austin to pursue a new adventure in Albuquerque, I am reminded of all the laughter and all the tears we have shared. Life in Austin won’t be the same without her, but life in Albuquerque is about to get a whole lot sweeter.

Why do I think Silva is an unsung hero? Well, for one reason, she never says no to any idea. It has always been “Yes, and…” with Silva. Although she will be the first to tell you that this habit has not always been easy, she bounces back and always says “Yes!” to the next opportunity. She has an opinion on just about everything and is not shy in letting you know it. However, she rarely takes credit for all that she has done and the lives that she has touched, and so today I want to acknowledge her for all that she is and all that she has done for me and VSA Texas.

Taking photos during Bridging the Gap rehearsal on Pfluger Pedestrian Bridge

Without her ‘can do’ attitude, we would not have our wonderful movement class at Rosedale School. We would not have had our marvelous experience with Stephen Koplowitz at Sparky Park. We would not have joined Heidi Latsky in her global On Display annual recognition of the International Day of Persons with Disabilities. Our work with Nina Martin would not have the richness that it has developed. We would not have had our boundaries stretched by working with Gerda König and Mahesh. And her tireless advocacy, along with strong support from Olivia O’Hare, brought Alito Alessi to Austin; changing the way we look at inclusive dance and significantly influencing how we teach our Elements classes. She has touched the lives of incarcerated women, disabled veterans, pre-kindergarten and elementary school children needing love and support, mothers and daughters, teachers, college students both with and without disabilities, dancers of all abilities, and the VSA family of individuals with diverse abilities.

Silva, Celia and Olivia, the dynamic trio, planning another choreographer residency

Managing a career, while co-raising three children under the age of 9 with her husband Charles, has provided Silva an opportunity to lose sleep, be in three places at once, and forget how to speak English once in awhile. But she knows what the word friend means, and she is a perfect example of loyalty and dedication.

Silva and Sarra during On Display at the Blanton Museum

As her departure appears on the horizon, I will not say goodbye, but instead, see you soon. I wish you and your family good fortune, fun adventures, and new beginnings. I love you and will miss you – a lot. Thank you for being my friend.

Celia

Thursday, July 13, 2017

INTRODUCING the 2017 Inaugural Haven Street-Allen Award Luncheon

This year, we are excited to announce our inaugural luncheon on September 19 at Saengerrunde Hall in downtown Austin, where we will be honoring past board member, Forrest Haven Street-Allen.

At VSA Texas, Haven willingly shared her knowledge and insights with her fellow board members and the staff, and supported the activities offered by VSA Texas with her presence and her financial support. She was instrumental in updating the organization’s personnel policies and led the board through an interactive process to update both the mission and vision statements. She truly had a “spark" and embodied how important it is to give back to the community you live in.

A woman with dark blond layered shoulder length hair wearing pearls around her neck and a blue scoop neck shirt smiles in front of a brick wall and small indoor green plant

Starting in 2018, the Haven Street-Allen Artist of the Year Award will be offered in memory of Street-Allen, who died in January 2015. Haven was an insightful and caring person who had a history of helping others. She was a Board Member of VSA Texas as well as the Austin Dispute Resolution Center, a volunteer mediator for the Resolution Center, and the Director of Human Resources for St. Edward’s University in Austin until her retirement in 2012. The Haven Street-Allen Artist of the Year Award recognizes her dedication, vision and respect for all, and honors her commitment to creating greater access to, and support for, the arts in Texas.

The Haven Street-Allen Artist of the Year Award honors an individual who has made an exceptional contribution to affirming a creative dimension in the arts. Each year, the Artist of the Year Award is given to one artist with a disability in Texas who, through a one-time creative act or a substantial record of achievement, embodies the spirit and vision of VSA Texas.

This individual challenges perceptions of how people contribute by demonstrating artistic excellence or leading the way as a community catalyst for change. In addition to a plaque commemorating artistic achievement, each award also consists of an honorarium of $500, recognition as a featured artist on the VSA Texas website, and an invitation to attend our annual luncheon as the guest of honor to be publicly recognized for individual artistic achievements.

Nominations are open to any artist with a disability over the age of 16 years in any medium. All nominations will be juried by a panel of judges and results will be announced January 31. All nominations must be in by December 31 of the previous year to be considered for the award.

Tickets for the luncheon will be $10 each and go on sale August 19, 2017. Save the date for this exciting event! We are currently seeking sponsors for food and varying monetary levels, so please contact me at janelle@vsatx.org or 512-454-9912 to get involved today!

Hope to see you all there September 19!

Thursday, June 15, 2017

And Yet We Rise

We are happy to feature our friend and Lion & Pirate regular David Borden in this week's blog. David recently published And Yet We Rise, a truly fantastic graphic novel that tackles the complex, difficult subject matter of life with significant disabilities and caregiving with frankness, humor, and sincerity – something frequently lacking in much of the existing literature on these topics. (Click here for a more detailed review of the book by our own April Sullivan). We were thrilled to host David's book release party at our Lion & Pirate open mic and glad to hear a little more about the origins of his book:


I sat on the sofa, window blinds drawn with Savannah in my arms. She was so small, so beautiful. I was so tired. Dead tired. I could barely function. I was depressed, confused, and hungry for help or advice of any kind. Why wouldn’t she eat? Why wouldn’t she sleep? Why wouldn’t she stop screaming for hours… days at a time? I knew she had a significant brain injury because I’d seen the MRI images. I knew she had out-of-control seizures without seeing them etched by an EEG because she jittered and clenched more often than I could count.

David reading to Savannah

I knew the clinical side of the equation. The doctors had described it, labelled it, and examined it with excruciating detail. What I didn’t know was the human side. I hadn’t met other parents yet. We tried support groups, but neither my wife nor myself had the kind of personality that does well in a support group, so we remained isolated.

I looked for books, but the books people recommended, the best-sellers, so to speak, about disability, dealt with autism, Down syndrome, degenerative diseases, or mental illness. We found a few good books, but they often played it too safe, staying overly positive and inspirational. So, in the back of my mind, a seed was planted. I would write the book I wanted—surely someone else wants it too. I would write a book that dared to tackle the hard questions:

How do you care for someone year after year who won’t get better?

How do you care for yourself when you spend all your time and energy caring for someone else?

How do you deal with the conflicting emotions of grief and relief?

The whole family

I struggled with the manuscript for years. I couldn’t capture Savannah in prose. This vibrant, tenacious little girl who blossomed in her teen years stayed locked away from the reader because I found it impossible to create dialogue with her. Because she was non-verbal, I could only describe her reactions with smiles and eye movements so many times before these scenes became tedious. I abandoned the manuscript. The memoir had become just one more painful failure.

After Savannah passed away, just shy of her sixteenth birthday, her sister (eleven at the time), wrote me a touching letter. I didn’t know how to write her back. In my attempt to share her sister’s story, and my story, in an accessible way, I stumbled upon the idea of adding a visual element… make the book into a graphic novel (a long-form comic book that deals with serious subject matter). Suddenly, the book flowed and Savannah appeared in the pages.

Savannah

And as far as I can tell, there is nothing like it out there. As one reader noted: “this book takes a difficult subject and translates it into an easy to understand format: a beautiful story with simple, compelling drawings. This is NOT a Hallmark Special. If you’re looking for fuzzy inspiration, this is not your book. This is the book that challenges you to think differently, but also envelopes you in love and compassion.”

I have been so pleased by the overwhelming response that I’ve received from the book. Fox 7 ran a feature story, I was interviewed on the One in a Million Baby pod-cast, and had a standing-room-only book release party at Malvern Books with my good friends of the Lion and Pirate.

Click here for more information on the book or to download the first chapter free.

David with graphic novels

Thursday, April 6, 2017

VSA Texas Unsung Heroine of the Week: Theresa Bond Zelazny

The Mobile Art Program was founded by Theresa Bond Zelazny in 2007 in response to her mother’s struggle fighting cancer.
Theresa Bond Zelanzy, on right, stands with two women in front of an exhibit of paintings, collage and mixed media.
Its mission is to deliver art activities, free of charge, to seniors and older adults with disabilities living in Austin, Texas. By 2012, Mobile Art (MAP) started to coordinate its efforts to work with individuals diagnosed with Alzheimer's and/or dementia. All of the activities are designed to improve the lives of individuals by giving them an outlet for self-expression, restoring self-esteem, building friendships, and increasing cognitive skills that can lead to an overall stabilization in health. An exhibit of the work is generally scheduled at the location of the classes, as well as public exhibitions at the Texas State Capital building, the Texas Department of Aging and Disability Services building, and local galleries.

The uniqueness of MAP is that it brings art activities to the places where people live or gather for social interaction. The teaching artists visit nursing homes, adult day and community centers, and adult respite programs where they provide classes in specific mediums (ex: mosaic workshops, watercolor, collage, mixed media, etc.).
Instructor looks on as a woman in a beaded sweater paints a picture of a purple flower.
Most program activities are delivered in low-income areas of the city. While MAP is the only program in the Greater Austin area to deliver art activities and lessons to seniors, it often works with other organizations in an effort to reach individuals who can derive the greatest benefit.  MAP collaborates with AGE of Central Texas, St. David's Health Angels, and Alzheimer’s Respite Programs at St Thomas More Catholic Church, Congregation Beth Israel, and Meals on Wheels Mike's Place. It currently has an agreement with Family Eldercare to deliver art classes to 8 residential facilities operated by the Housing Authority of the City of Austin (HACA) through the Living Well! Collaboration. In 2017, VSA Texas assumed the management of Mobile Art to provide Theresa fiscal and operational support.
A man works on a sculpture made of twigs and small pieces of paper.
Theresa tells us why Mobile Art is so important:

When a Mobile Art artist enters a new facility, she is often met with skepticism and self-doubt from the clients about their ability to complete the art projects we present. Yet after a session or two and some encouragement from staff and volunteers, the participants welcome us happily and are eager to start the next project. Part of our mission is to restore self-esteem and build friendships: the benefit of this is that the seniors can see that they are able to develop a new skill and share their talents with families and the community. Plus, they learn that they are still able to be social with individuals outside of their social circle.
A woman in a wheelchair beams as she shows her self-portrait to the group.
They value our attention to everyone as an individual and as a whole group. They know that we listen to what they have to say about their current and past life situations because we often create projects from the anecdotes and stories they share with us while we are in sessions. But our participants are not the only ones who benefit from this program. Caregivers often comment to us that after an art session the care recipient’s general mood is better. He or she is more likely to participate in physical therapy and take medications with less cajolement.

We welcome Theresa and the Mobile Art Program to VSA Texas and look forward to the opportunity to expand our reach into the Greater Austin community of older adults and their families and caregivers.

For more information about the Mobile Art Program, contact info@vsatx.org.

Friday, March 17, 2017

Celebrating 100 Blogs in 100 Words and Pictures

As OMOD project coordinator and self-appointed blog manager, I cannot be happier to compose our 100th blog entry! When I first took the reins of our VSA Texas blog in July 2015, we hadn’t published a blog entry in five months and our monthly page views had plummeted; now, just shy of two years later, we publish entries on a weekly basis – barring the weeks when my own perfectionism gets the best of me – and our page views regularly extend into the thousands. Of course, this has little to do with me and everything to do with our dedicated team of bloggers made up of our amazing staff and guest contributors!

In managing our blog, I am constantly reminded that our blog has never been about the statistics or the number of readers we gain. It has always been about telling the story of our organization and hearing from the everyday people behind the incredible work we do. And the 100 photos I culled from these first 100 entries (and spent an embarrassing number of hours editing into ten tiny collages) will illustrate that far more effectively than my words:

The wonderful world of Body Shift, featuring stunning photos by Camille Wheeler and others!


Adventures in OMOD


Remembering the tremendous work of Actual Lives Austin!


Launching youth into the world of media through our Side-by-Side internships and New Media Arts classes


Bringing art and entertainment to children with disabilities through our annual Art in the Park and Art in the Gardens festivals


Expanding our services to Texas Veterans with creative writing classes, public readings, and art exhibits around the state


Providing opportunities for Texas artists with disabilities to share and sell their art. Not only visual art, but CDs, books, greeting cards, even handmade apparel, too!


Our blog has also offered a forum to engage in critical discussions about disability representation in media.


Our Unsung Hero of the Week series has allowed us to acknowledge our dear friends and collaborators who make our work possible and honor those who are no longer with us.


Last but most important, our blog gave the dedicated staff who work in our offices the opportunity to tell their own stories and articulate how their own lives have been impacted by this work. They are the heart of VSA Texas.

Okay, so I know that was more than 100 words, but I just couldn't cut it down any further! I hope you will forgive me, and more importantly, I hope you will continue to read our blog as we add new voices and new stories to the mix!

Thursday, August 4, 2016

VSA Texas Unsung Heroes of the Week: Gene and Dave

This week we have the privilege of introducing our dear friend, Gene Rodgers, to tell us the history of The Gene and Dave Show in his own words:


Have you ever wanted your own television show? Have you ever wanted to be your own producer, writer, director, and on-screen talent? These are questions that never occurred to Gene and Dave when they were involved in performance arts. They just wanted to share their creative talents with as many people as possible. Well, look at us now!
Gene and Dave with an image of the Stevie Ray Vaughan statue,
Town Lake, and the Austin skyline digitally placed behind them
Dave and I, both electric wheelchair users, were involved in VSA Texas-sponsored live performance group called Actual Lives Austin. We wrote stories about events in our lives and then shared the stories on stage. One day during rehearsal, Dave approached me and said, "Hey Gene, I’ve got an idea for a script, and you’re the only one I know crazy enough to do it with me." Well, I was all ears. We immediately wrote the script for a skit called ‘Who Works Monday.’ I had a friend film us. I edited the video on my computer, and we posted it on YouTube. It was about a guy who hired several attendants and had trouble keeping track of who worked on which day. It was a parody of Abbott and Costello’s ‘Who’s On First.’ See it at www.thegeneanddaveshow.com/who-works-monday/.

A lot of folks told us they really enjoyed it and that we should have our own TV Show. That was all the encouragement we needed. Just several years previous, I became a certified producer at public access Channel Austin. My show was called "Geno’s Place." I just had to go to the public access studio, learn how to operate a camera, and learn how to get that media edited and back to the station for broadcast. Well, it was a little more complicated than that, but in essence I was already a producer.  Dave and I just needed to come up with a show theme and start putting shows together.

Our TV show had pretty humble beginnings. Celia Hughes, at VSA Texas, helped us find funding. We set up some lights in my apartment and filmed ourselves in my living room. Then we started using a green screen, which allowed us to digitally change the background of our set. Once Channel Austin remodeled their studios, we started to film there. Since we were able to use our own digital cameras and edit our shows on our computers, we created shows in a fairly accessible venue.
Gene and Dave seated at a table with 2 microphones
in the Channel Austin studio. Behind them a blue screen
covers the entire wall.

The editing station at Channel Austin shows the process of
digitally placing an Austin postcard behind Gene and Dave.
Being co-hosts of The Gene and Dave Show has allowed us to meet all sorts of people in all sorts of situations. We can always be seen at SXSW. In fact, Dave interviewed R2D2 there. We get to interview folks at public and private businesses to learn more about how they include people with disabilities in their activities. Our show covers many disability-related topics, including employment, recreation, health, and many more. We can be seen on Time-Warner channel 16. All shows are archived on our website at www.thegeneanddaveshow.com.

Gene and Dave sit on either of R2D2 as Dave, microphone
in hand, conducts the interview.
Contact us at gene@thegeneanddaveshow.com and dave@thegeneanddaveshow.com.

Thursday, January 28, 2016

VSA Texas Unsung Hero of the Week: Rod Sigler


Rod Sigler is a local veteran musician whose talent gained him a spot in the stage show at the National VA Creative Arts Festival in 2015. Rod sent us a few words about his trip to North Carolina:

“What a great event! The nation's greatest Veteran talent was calibrated together for one event that was the Creative Arts Festival. People from all walks of life and different talents came together to show their gold medal winning art, dance, drama, and voices.

Rod Sigler at the National Veterans
Creative Arts Festival in North Carolina
"I, Rod Sigler, represented Austin, TX and enjoyed the fellowship so much that it sent me back home on a mission to make an impact in the community and take some other veterans with me. Most of the songs we sang were classics by John Denver. Initially I thought that it was not my style of music and would not be something I would enjoy doing. What I found is that I could step out of my comfort zone, grow, and demonstrate the flexibility to do more kinds of music and reach a point where, those of us who won solo parts, we could own it and add our personality to it. Moving through the week it started to wear on us but many of us started to consider the words of the songs. We began to ask questions like, "Who is this person I am singing next to?" Before you knew it, what we had worked on for hours a day for an entire week had culminated into a fine event that we nailed. The North Carolina community was so loving, and you could tell they loved and appreciated veterans. Before you knew it, the music stopped and there was no more preparation. There was almost a midst of sadness that swept across the room and on the bus ride home. It was over. Time to get back to our life.

Rod with his gold medal for first place in the
Original Vocal category for his song, "We Are Veterans"
"The key to any experience like this is will it be a moment or a movement to bring back things learned in order to see what can be done in our communities. I told the group in a meeting that the only way that we could not let anything garnered that week to die is to keep breathing life into it by returning home, seeing who you can build up, inspire, and impact in a manner that causes others to reach higher, make a difference to the local community of vets back home and maybe themselves make the trip next year.”

 Rod practicing for the stage show
Rod has definitely inspired us here at VSA Texas to work on expanding our Distinguished Artist Veterans program to include more veteran musicians and writers. Look out for more details on that program and learn more about our veteran services at http://www.vsatx.org/veteranServices.html.

If you are a veteran served by the VA, then you too can enter the National VA Creative Arts Competition. The 2016 event will be held in Jackson, MS and includes categories in Visual Art, Dance, Drama, Music, and Creative Writing. To qualify, you must enter through your local VA. If you are in Austin and receive services at the Austin VA Outpatient Clinic, then entries are due by March 9th. Make an appointment to record your Music, Dance, or Drama entry on 9th. Bring your Art or Writing entries to the Austin VA Outpatient Clinic on March 8th & 9th. Contact Jeffrey Norrod at the VA at 254-624-2911 for details.

Friday, September 11, 2015

VSA Texas Unsung Hero of the Week: Milton Sullivan

VSA Texas recently lost an important member of our family. Milton Sullivan, age 47, husband to Artworks Director April Sullivan, lost his life in a car/pedestrian accident in Houston, Texas on August 30, 2015. Today the staff of VSA Texas remember Milton through these words and stories:

From April Sullivan:
            Milton Sullivan was my best friend. We met in 1992 when I first arrived in Austin to attend college and we have been inseparable ever since. We married in 2003. As many husbands know, when your wife joins the staff of a small non-profit, you become a volunteer. Not because you want to, but because you have to! Milton was a dedicated volunteer for VSA Texas. As a creative person, he believed strongly in our mission and was instrumental in many of our programs. As a writer, he proposed that we have a chapbook making class. So we did! Chris Strickling led a small group of writers in crafting short stories that were then printed up into small booklets. As a musician, he was a constant presence at our Open Mic and his epic performances can be seen on this YouTube playlist, courtesy of Malvern Books. As a person living with a mental illness, he was an advocate for the Stand Up for Mental Health program and posted flyers all over town and talked up the shows to everyone he met. Although, he never participated in that program, Milton was most definitely a comedian. I appreciate the love and acceptance with which my VSA Texas family embraced Milton.

 Milton and April Sullivan dancing at an outdoor concert while in
Albuquerque, NM for the Southwest Conference on Disability, October 2014
From Lynn Johnson:
            How did I know Milton? Let me count the many ways. I don’t remember exactly the first time I met Milton, but April is my office mate and she introduced me. He had a huge smile and was very, very tall. He loved his sodas and his cigarettes for a while. I do know he loved his music and loved jamming with anybody that would jam with him. He knew more bands and songs than I could ever imagine and knew the words to most of them. Milton would bring in his guitar to the office and play his latest song, followed by a discourse on good versus evil. He could switch topics on a dime, and some of them were highly, highly amusing. He helped us out with our festivals in and out of town, towing our art supplies around and buying Bongo, their dog, a hamburger for Bongo’s birthday. He gave me his bologna and cheese sandwich at Art in the Park in San Antonio as I had forgotten my lunch. He could make me laugh and leave me speechless with his goofiness. Now he is Rockin’ In The Free World.

Milton dancing with a boy with Down syndrome at the Art in the Park
at Morgan's Wonderland in San Antonio, May 2011
From Nicole Cortichiato:
I'll never forget the first time I met Milton:
            I'm at the VSA Texas Art Show. I walk out the back door to get some fresh air and the first thing I see is a giant. This giant has black-framed tinted glasses and converse tennis shoes on. I watch him play the guitar. He introduces himself as April's other half. He says, "Are you in the show?"
            I tell him, "Yeah, I have a book in the show called, What Kind of Bunny Ears Do You Have?"
            He says, "You wrote that?"
            "Yeah"
            "I bought that book for my mother."
            "Cool."
            Then we have a discussion about discrimination and differences. It is an interesting conversation. But now every conversation with Milton has been interesting, hasn't it?

 Milton playing guitar in a chapel at the Southwest Conference on Disability
in Albuquerque, NM, October 2014
From Eric Clow:
            My favorite memories of Milton are the times we jammed. I remember he asked if I played music, and no sooner had I answered yes than he invited me to come play with The Shutaways, Milton's longtime band of rotating musical characters. So I brought my keyboard and amp to Room 101 of the AGE Building after hours, and there I met Milton and his drummer, Steve. Milton handed me a white binder filled with his original songs – with lyrics, chords, and everything – and we quickly surrounded ourselves with thick walls of sound and jammed through song after song. I didn't promise him much more than holding down the root notes of the chords using an organ setting with a lot of distortion, but he was always very supportive and open to my ideas.
            More than a lot of people, I think Milton really valued collaboration and the dream of a thriving community of artists and musicians with disabilities, a dream that I still hold close to my heart. I remember being so excited after that first jam session, I even called up my mom to tell her I was in a band. It was true that I wrote and recorded a lot of my own music and often jammed with close friends of mine, but this was the first time I had been welcomed into an established group, and I felt validated as a musician to be invited back – especially considering how slow and limited my musical abilities were.
            I always enjoyed Milton’s songs and the way he came to each jam session with his binder of lyrics and chords that could immediately include anyone new to the group. Milton had a great collection of songs, which can still be heard on The Shutaways SoundCloud here: https://soundcloud.com/theshutaways. In his absence, I have found myself listening to one song more than all the others, the tune entitled, “Accept It.” Here are my favorite lines from his song:

So I take a deep breath my friend and control of my life
Forget about past things and start to thrive
Just accept it
Accept it and go on
Accept it
Accept it and be strong

From Celia Hughes:
            To say that Milton Sullivan was an unsung hero is a little funny because Milton was always ready to entertain with his guitar and a song. I met Milton many years ago when he was helping to put up wall shelves in the Access Arts Austin office. I learned that day the logic of proper wall mountings and also forged the foundation of what was to become a treasured friendship. Milton was a gentle man who was willing to help when he could and was honest and direct when he couldn’t. The VSA Texas art closet was his challenge, as well as our public storage unit, but he tried to keep us organized and tidy…not an easy job!
            For many years Bongo, his small but mighty guard dog, helped keep Milton and April safe from any intruders. Even when he couldn’t walk, see, or hear very well – and had most of his teeth removed – Bongo kept his vigil to protect. Milton loved that little dog and they made a great team. I have a fond memory of Milton, towering over me at 6’6”, with an ever-watchful Bongo in his arms. They never went anywhere without that little fellow, and now Milton and Bongo are together again, looking for a little mischief and a little adventure.
            I will miss his beautiful smile and his reflections on life, art and music. He was always working on a song or reworking an older one, and his guitar was never far from him. Even when the world around him was becoming more chaotic and confusing, he would often sit outside my office window and find comfort in the chords. He never met a stranger, and for that reason, there are many people whose lives have been changed forever in musical and magical ways.

A favorite family portrait of Milton, April, and Bongo at the beach

We invite you to share your memories of Milton at his Memorial Service on Saturday, September 19th, from 3:00 - 5:00 pm, at Austin Clubhouse, 610 E 45th Street, Austin, TX 78751, inside Hyde Park Christian Church.